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| "I don't cut from what I called knowledge. I have to come into it I have to feel it." | "I don't cut from what I called knowledge. I have to come into it I have to feel it." | ||
| + | |||
| + | ## Editing | ||
| + | |||
| + | - 全景镜头平移叙事(狼的孩子雨与雪) | ||
| + | - Matching Scene Transitions :使用一个相同的元素/相同的动作/相同的前因后果去连接两个不同地点的镜头或者经历了一个长时间跨度的镜头(也许在中间加一个共用镜头)。 | ||
| + | - General Match Cut | ||
| + | - 例子:水管上滴血-血滴到地板上-抬头一看是伤人者手上拿的武器上滴下来的血 | ||
| + | - 又例:男主转头过来看镜头背后的女主-女主坐在沙发上回应了他一句-其实这时候男主已经是一个老人了 | ||
| + | - Exact Graphic Match (通常用作时间过渡演出) | ||
| + | - Intercut two different time periods | ||
| + | - Rewind the film(今敏) | ||
| + | - Cross the **line** with a new scene | ||
| + | - Zoom out from the TV | ||
| + | - Use black frame to jump cut | ||
| + | - Use object to wipe the frame | ||
| + | - and more... | ||
| + | - Eclipse: by not showing the consequence cut of one action but move on to other scene while assuming that consequence did happen, behind the screen (show the conclusion later). | ||
| + | - Use a establish shot but soon reveal that it is actually a point of view. | ||
| + | |||
| + | How to direct like Kon Satoshi: Considering the next cut while drawing the previous cut. | ||
| + | 用简单的画面,删去多余信息,于是就可以快速剪切同时让观众理解(月升王国中的剪刀) | ||
| + | |||
| + | ## **The Line** in Manga | ||